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The Stages

by Andrew Eaton Lewis

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1.
This is the start The year your feet slow but the world rushes in Into your heart Into your heart This is the start A town, a home, you never chose to be born in And every exit distant as the Moon The skin stretched too thin When the wounds are still raw The rules you’ve not learned And the boundaries you don’t draw When you don’t know where they stop and where you start Hang in there None of us got through this without scars But this is just the start, this is just the start Hang in there Even as it rips out your heart Please just try to get through this part This is just the start, this is just the start That boy, who pins you to the wall spits in your face In four years’ time he turns out to be gay You were just a way to hide the scent It isn’t about you at all That girl, the one that seems so confident and pretty But secretly she throws up every meal she laughs and calls you stupid fat and ugly It isn’t about you at all so hang in there As your body pulls you upwards Hang in there Keep your eyes on the floor Hang in there These years are full of trapdoors Hang in there One day the sky will clear In the meantime you can walk away It’s ok to say no It’s ok not to be what they think you are Hang in there Even as it rips out your heart Please just try to get through this part This is just the start. Hang in there None of us got through this without scars But this is just the start, this is just the start Hang in there None of us got through this without scars But this is just the start, this is just the start Hang in there Please just try to get through this part Even as it rips out your heart This is just the start This is just the start This is just the start
2.
How did all these fires get so dim? A chronic lack of oxygen What’s it like to glow without a care to barely know it’s even there? I just want to burn Just want to burn before the light's out Before the light's out How’d we end up crying here back stage trying to contain our rage? Feeling like we’ve wasted half our lives Not prepared to act our age I just want to burn Just want to burn before the light's out Before the light's out How do you refuel when your energy depends on trying to squeeze love from someone who’s not your friend until the lights out? I know that it’s all fake but I still can’t let it go the sense that I’m less real than something in a show That my light is out That it was always out That it was always out I just want to burn Just want to burn before the light's out Before the light's out
3.
I identify as a crime scene a map of my mistakes I identify as an animal in a state of decay Hesitantly standing in somebody else’s shoes Drinking the same water as my ancestors Walking all the stages I identify as a black hole a distant point in space I identify as an orphan with my father’s face Literally standing in somebody else’s shoes Dragging round the baggage of my ancestors Walking all the stages We’re not who we say that we are We’re the shoes that we live in We’re the paths that we walk and the things we’re forgiven I look more like you with every single step that I take Walking all the stages
4.
I’ve seen it I’m not afraid I’ve been there I’ve got the scars to prove it Do your worst I’m 50 I don’t give a damn what you throw at me Your tiny teenage daggers Do your worst We’re holding the hands of the dying knowing that’s as good as it gets Our medals and wounds are the same thing invisible to you until you have them too Good luck on your journey here Good luck on your journey here Good luck on your journey here God bless and god speed and Good luck on your journey here
5.

about

'Extraordinary piece of work... outstanding.' Tom Robinson, BBC 6 Music, on This is the Start.

The Stages brings together one finished song, This is the Start, and three rough, unfinished demos, all recorded at Wee Studio on the Isle of Lewis during 2023. I've also added the original demo version of This is the Start for comparison since we changed it quite a lot during the mixing process, rewriting the middle eight completely as well as some other lyrics.

At this point I'm not sure whether this music represents the start of something or the end of something, or both. This is the Start is very different from anything I've made in the past few years and I'm really pleased with it, but as 2024 begins I don't have any other new songs except the demos that accompany it here, and I'm not sure whether any of them represent a road I want to go down. Lyrically in particular, all three feel like a cul-de-sac: overly melancholy ruminations on identity and mortality that I apparently needed to get off my chest as I turned 50. If you can relate to that, great, but increasingly I feel like I should write about something else and also make music in a different way. This is the Start feels like a step towards something new and I'm grateful to Scott C Park for helping me make it.

Anyway, this is where I am creatively at this moment in time, and this morning, 1 January 2024, I woke up thinking that the most honest and healthy thing to do was just to let it all out into the world as it is. It can then be a moment I can move on from rather than a space I feel stuck in. And maybe I can focus on making new and better music in 2024, or maybe I'll just stop. Who knows.

This EP, like much of my recent work, is dedicated to the memory of my friend John Stahl, whose collection of shoes I inherited after he died in 2022. John was a Scottish theatre, film and TV actor and all of his shoes were dramatically different, as if he was playing a new character with each pair he wore. For a while I had the idea that I'd write a song inspired by each pair or John's shoes. Whether I'll ever do that I don't know, but in the meantime I thought it would be nice to feature his shoes in some artwork again. His shoes also feature on the artwork for my Wee Studio Demos EP, which I updated in the months following his death as a tribute. I now make a point of wearing John's shoes when I'm doing something creative - writing or recording new songs, or performing on stage. I think he would have approved of that.

credits

released February 2, 2024

Vocals/keys: Andrew Eaton-Lewis
Guitars/bass/programming: Scott C Park
Produced by Scott C Park at Wee Studio, Isle of Lewis

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Andrew Eaton Lewis Scotland, UK

‘Exhilarating… stirringly fresh and smart.’ The Independent

'Adult pop with heart and brains.' The Guardian.

'Like minimalist classical composers working on adventurous ballads for R.E.M.' The Herald.
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